My work grows out of intuition and small, often inexplicable impulses. From placing an unexpected drop of pigment on the surface to allowing water to follow its own gravity, each stage of my process is guided less by control than by responsiveness. I often choose my subjects for reasons I only come to understand later, trusting the immediacy of perception over premeditated intention.

Working primarily through direct observation, I am drawn to the quiet vitality present in my surroundings—the subtle rhythms, fleeting movements, and understated energy that reveal themselves through sustained attention. Rather than attempting to fix these qualities in a descriptive manner, I respond to them in a way that remains open, allowing the work to retain a sense of life and movement.

My use of watercolour and dry drawing materials supports this approach. Their portability and sensitivity enable me to work on site, adapting quickly to changing light, atmosphere, and conditions. Watercolour, in particular, creates a dialogue between intention and accident: pigment disperses, water exceeds its boundaries, and forms emerge beyond anticipation. This balance between control and surrender reflects the core of my practice.

Through this process, my work becomes less about representation and more about acknowledging presence—capturing a moment as it is felt, before it disappears.